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		<title>Sjml: Automated import from old BattlestarWiki</title>
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		<updated>2017-05-01T05:59:04Z</updated>

		<summary type="html">&lt;p&gt;Automated import from old BattlestarWiki&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;I am not sure if this is of interest: &lt;br /&gt;
&lt;br /&gt;
The article says (under Notes): &amp;quot;At the beginning of this episode, Boomer is humming a melody when she touches the captured Cylon Raider. The melody is from a Korean children&amp;#039;s song, &amp;#039;The spring pool on the mountain&amp;#039;.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
It may be known in Korea as &amp;#039;The spring pool on the mountain&amp;#039;, but I am quite certain that it is a German song known as &amp;quot;Drunten im Unterland&amp;quot; from the 19th century (music by Friedrich Silcher, text by Gottfried Weigle). &lt;br /&gt;
&lt;br /&gt;
See http://www.lieder-archiv.de/lieder/show_song.php?ix=300138&lt;br /&gt;
&lt;br /&gt;
Listen to [http://www.lieder-archiv.de/lieder/midi/300138.mid this MIDI file] (seconds 12-22) or  [http://ingeb.org/Lieder/drunten2.mid another MIDI file].&lt;br /&gt;
&lt;br /&gt;
--[[User:Ronald|Ronald]] 15:29, 18 November 2007 (CST)&lt;br /&gt;
&lt;br /&gt;
:It might be, Ronald. If significant, it would be at least the [[The Music|second time]] that music makes a connection to the fate of the Colonials and the Cylons. --[[User:Spencerian|Spencerian]] 19:16, 18 November 2007 (CST)&lt;br /&gt;
&lt;br /&gt;
:I think we need a citation on the &amp;#039;The spring pool on the mountain&amp;#039; reference. I think that came from Grace Park in an interview on Scifi.com, but I&amp;#039;m not 100% sure. --[[User:Steelviper|Steelviper]] 19:49, 18 November 2007 (CST)&lt;br /&gt;
::[http://video.scifi.com/player/?id=40019#videoid=31753 This is the interview]. Tune to about 1:06 left for the question and answer. She doesn&amp;#039;t specifically mention the name of the song, just that it was a &amp;quot;folk song, or it&amp;#039;s a Korean lullaby that my mom sang to us.&amp;quot; I&amp;#039;m not sure where the name came in, or if the song sounds like that. --[[User:Steelviper|Steelviper]] 19:59, 18 November 2007 (CST)&lt;br /&gt;
&lt;br /&gt;
:::Thanks for the reference to the interview. I believe that Grace Park&amp;#039;s comment &amp;quot;&amp;quot;It&amp;#039;s actually not totally ad-lib. &amp;#039;&amp;#039;I chose that song&amp;#039;&amp;#039;&amp;quot; is important - so it probably has no significance for the story. --[[User:Ronald|Ronald]] 04:38, 19 November 2007 (CST)&lt;br /&gt;
&lt;br /&gt;
== Political analysis  ==&lt;br /&gt;
&lt;br /&gt;
I´m not sure if this should be included into the &amp;quot;analysis&amp;quot; topic. &lt;br /&gt;
&lt;br /&gt;
A few important themes. &lt;br /&gt;
1) It asks the question of the &amp;quot;humanity&amp;quot; of Cylons. Kara Thrace often chalenges Leoben&amp;#039;s claim into being a living being with a soul. It might be viewd as a philosohical question of what defines humanity and what makes us have a soul. Humans are made of &amp;quot;flesh and bones&amp;quot;, a biological mechanism not very different from the Cylons. The question is: aren´t we (humans) also a kind of machine programed somehow to believe in God(s)? &lt;br /&gt;
2) There is a direct relationship between the torture of Leoben and the &amp;quot;thicking bomb&amp;quot; exemple used to justify torture of guatanamo prisioners. Leoben criticises the military of &amp;quot;dehumanize&amp;quot; its victims. By treating him as less-than-human, the torture could be justified.&lt;br /&gt;
3) Loeben seems to have a religious justification for the destruction of humanity. He describes the attack as an kind of moral action to eliminate a sinnfull race. It is both an insight into the Cylons&amp;#039; motivation and another reference to contemporary politics by representing the Cylons as religious fanatics.&lt;/div&gt;</summary>
		<author><name>Sjml</name></author>
		
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